AP Success - AP English Literature Prose Analysis: Cathedral

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The following excerpt is from Raymond Carver’s short story “Cathedral,” published in 1983. In it, the narrator recounts the visit of his wife’s friend, a blind man named Robert. Read the passage carefully. Then, in a well-written essay, analyze how the author uses literary elements and techniques to develop a complex characterization of the narrator. 

In your response you should do the following:

•	Respond to the prompt with a thesis that presents a defensible interpretation.
•	Select and use evidence to support your line of reasoning.
•	Explain how the evidence supports your line of reasoning.
•	Use appropriate grammar and punctuation in communicating your argument.
I saw my wife laughing as she parked the car. I saw her get out of the car and shut the door. She was still wearing a smile. Just amazing. She went around to the other side of the car to where the blind man was already starting to get out. This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say. The blind man reached into the backseat and dragged out a suitcase. My wife took his arm, shut the car door, and, talking all the way, moved him down the drive and then up the steps to the front porch. I turned off the TV. I finished my drink, rinsed the glass, dried my hands. Then I went to the door. 
My wife said, “I want you to meet Robert. Robert, this is my husband. I’ve told you all about him.” She was beaming. She had this blind man by his coat sleeve. 
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The blind man let go of his suitcase and up came his hand.
I took it. He squeezed hard, held my hand, and then he let it go. “I feel like we’ve already met,” he boomed.
“Likewise,” I said. I didn’t know what else to say. Then I said, 
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“Welcome. I’ve heard a lot about you.” We began to move then, a little group, from the porch into the living room, my wife guiding him by the arm. The blind man was carrying his suitcase in his other hand. My wife said things like, “To your left here, Robert. That’s right. Now watch it, there’s a chair. That’s it. Sit down right here. This is the sofa. We just bought this sofa two weeks ago.” 
I started to say something about the old sofa. I’d liked that old sofa. But I didn’t say anything. Then I wanted to say something else, small-talk, about the scenic ride along the Hudson. How going to New York, you should sit on the right-hand side of the train, and coming from New York, the left-hand side. 
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“Did you have a good train ride?” I said. “Which side of the train did you sit on, by the way?”
“What a question, which side!” my wife said. “What’s it matter which side?” she said.
“I just asked,” I said. 
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“Right side,” the blind man said. “I hadn’t been on a train in nearly forty years. Not since I was a kid. With my folks. That’s been a long time. I’d nearly forgotten the sensation. I have winter in my beard now, “ he said. “So I’ve been told, anyway. Do I look distinguished, my dear?” the blind man said to my wife. 
“You look distinguished, Robert,” she said. “Robert,” she said. “Robert, it’s just so good to see you.” 
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My wife finally took her eyes off the blind man and looked at me. I had the feeling she didn’t like what she saw. I shrugged. 
I’ve never met, or personally known, anyone who was blind. This blind man was late forties, a heavy-set, balding man with stooped shoulders, as if he carried a great weight there. He wore brown slacks, brown shoes, a light-brown shirt, a tie, a sports coat. Spiffy. He also had this full beard. But he didn’t use a cane and he didn’t wear dark glasses. I’d always thought dark glasses were a must for the blind. Fact was, I wish he had a pair. At first glance, his eyes looked like anyone else’s eyes. But if you looked close, there was something different about them. Too much white in the iris, for one thing, and the pupils seemed to move around in the sockets without his knowing it or being able to stop it. Creepy. As I stared at his face, I saw the left pupil turn in toward his nose while the other made an effort to keep in one place. But it was only an effort, for that one eye was on the roam without his knowing it or wanting it to be. 
Source 1.1: excerpt from Raymond Carver’s short story “Cathedral,” published in 1983

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