AP Success - AP English Literature: Sailing to Byzantium

I
That is no country for old men. The young
In one another's arms, birds in the trees,
5
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
10
Monuments of unageing intellect.
II
15
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
20
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
25
III
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
30
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
35
IV
Once out of nature I shall never take
40
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
45
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
Source 1: Sailing to Byzantium by William Butler Yeats

1

The phrase "no country for old men" (line 3) most likely suggests that the country mentioned is:
  • unwelcoming or inhospitable to the aged

  • a place where youthfulness is celebrated or idealized

  • a metaphorical country, representing a state of mind or being

  • physically challenging for the elderly to navigate

  • lacking in resources or facilities for older people

2

In line 9, the term "sensual music" could best be interpreted to mean:
  • The natural sounds of the environment that seem musically alluring

  • Actual music that appeals to the senses

  • A specific genre of music popular among the young

  • The tempting aspects of youthful experiences

  • The rhythm and flow of life that captivates the young

3

The "monuments of unageing intellect" (line 10) most likely symbolize:
  • Historical landmarks

  • Memories that do not fade with age

  • Physical structures built to honor the elderly

  • The wisdom that comes with age, contrasting with the physical decline

  • Artistic or intellectual achievements that withstand the test of time

4

In lines 15-22, the speaker seems to imply that the "aged man" can gain vitality and purpose through:
  • Intellectual pursuits

  • Physical rejuvenation

  • Travel and exploration

  • Interaction with the young

  • Emotional or spiritual expression

5

The repeated reference to Byzantium (line 22) is significant because it:
  • Suggests a historical context for the poem

  • Represents a place of intellectual and artistic achievement

  • Highlights the speaker's fascination with ancient civilizations

  • Implies a journey or pilgrimage the speaker intends to undertake

  • Symbolizes a retreat from the sensual world

6

The phrase "sick with desire" (line 31) most directly suggests that the speaker:
  • Desires to return to youth

  • Is overwhelmed by the beauty of nature

  • Feels a strong romantic or sexual attraction

  • Is physically ill

  • Longs for a transformation or escape

7

In the context of stanza III, the "sages standing in God's holy fire" (line 27) are likely invoked to:
  • Symbolize destruction and renewal

  • Suggest a divine or supernatural presence

  • Represent wisdom and enlightenment

  • Indicate a ceremony or ritual

  • Imply a judgment or punishment

8

The "artifice of eternity" (line 34) in the final line of stanza III suggests that the speaker desires:
  • To find a way to live forever

  • To understand the concept of eternity

  • To escape the natural cycle of life and death

  • To achieve a state of timelessness through spiritual means

  • To create a lasting work of art

9

In stanza IV, the comparison of the speaker's future form to a Grecian goldsmith's creation (lines 41-42) implies a desire for:
  • Wealth and opulence

  • Transformation into an object of art

  • Connection to classical heritage

  • Artistic recognition

  • Permanence and beauty

10

The overall tone of the poem can best be described as:
  • Reflective and contemplative

  • Resigned and melancholic

  • Joyful and celebratory

  • Nostalgic and sentimental

  • Urgent and desperate

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