AP Success - AP English Literature: Sailing to Byzantium
Source 1
I
That is no country for old men. The young In one another's arms, birds in the trees, —Those dying generations—at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies. Caught in that sensual music all neglect Monuments of unageing intellect.
II
An aged man is but a paltry thing, A tattered coat upon a stick, unless Soul clap its hands and sing, and louder sing For every tatter in its mortal dress, Nor is there singing school but studying Monuments of its own magnificence; And therefore I have sailed the seas and come To the holy city of Byzantium.
III
O sages standing in God's holy fire As in the gold mosaic of a wall, Come from the holy fire, perne in a gyre, And be the singing-masters of my soul. Consume my heart away; sick with desire And fastened to a dying animal It knows not what it is; and gather me Into the artifice of eternity.
IV
Once out of nature I shall never take My bodily form from any natural thing, But such a form as Grecian goldsmiths make Of hammered gold and gold enamelling To keep a drowsy Emperor awake; Or set upon a golden bough to sing To lords and ladies of Byzantium Of what is past, or passing, or to come.
Sailing to Byzantium by William Butler Yeats
Question 1
The phrase "no country for old men" (line 3) most likely suggests that the country mentioned is:
Question 2
In line 9, the term "sensual music" could best be interpreted to mean:
Question 3
The "monuments of unageing intellect" (line 10) most likely symbolize:
Question 4
In lines 15-22, the speaker seems to imply that the "aged man" can gain vitality and purpose through:
Question 5
The repeated reference to Byzantium (line 22) is significant because it:
Question 6
The phrase "sick with desire" (line 31) most directly suggests that the speaker:
Question 7
In the context of stanza III, the "sages standing in God's holy fire" (line 27) are likely invoked to:
Question 8
The "artifice of eternity" (line 34) in the final line of stanza III suggests that the speaker desires:
Question 9
In stanza IV, the comparison of the speaker's future form to a Grecian goldsmith's creation (lines 41-42) implies a desire for:
Question 10
The overall tone of the poem can best be described as:
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