Unit 2 Test AP Euro AMSCO DBQ - Withrow

Question 1

Essay
Analyze the extent to which women's lives were affected by the Reformation.
Document 1
To promote a woman to bear rule, superiority, dominion [controll, or empire above any realm, nation, or city is repugnant to nature, contumely to God, a thing most contrarious [contrary] to his revealed will and approved ordinance, and, finally, it is the subversion [ruin] of good order, of all equity and justice....For those that will not permit a woman to have power over her own sons will not permit her, I am assured, to have rule over a realm; and those that will not suffer her to speak in defense of those that be accused, neither that will admit her accusation intended against man, will not approve her that she shall sit in judgment, crowned with royal crown, usurping [seizing] authority in the midst of men.
Document 1 Source: John Knox, Protestant reformer, First Blast of the Trumpet Against the Monstrous Regiment of Women, 1558.
Document 2
Men have broad and large chests, and small narrow hips, and more understanding than women, who have but small and narrow breasts, and broad hips, to the end they should remain at home, sit still, keep house, and bear and bring up children.
Document 2 Source: Martin Luther, German reformer, Table Talk (a collection of Luther's saying as compiled by his students), 1566.
Document 3
The Peasant Wedding is a 1567 genre painting by the Dutch and Flemish Renaissance painter and printmaker Pieter Bruegel the Elder, one of his many depicting peasant life.
Document 3 Source: Pieter Bruegel the Elder, Flemish painter, The Peasant Wedding, 1567.
Document 4
The woman ought to have a certaine honour attributed to her, that is to say, she must be spared and borne with, the rather for that she is the weaker vessel, of a frail heart, inconstant, and with a word soon stirred to wrath. And therefore considering these her frailties, she is to be the rather spared. By this means, thou shalt not only nourish concord: but shalt have her heart in thy power and will.... Ye wives, be ye in subiection to obey your own husbands (1 Peter 3.1). To obey, is another thing then to control or command, which yet they may do, to their children, and to their family: But as for their husbands, them must they obey, and cease from commanding, and perform subiection. For this surely doth nourish concord very much, when the wife is ready at hand at her husband's commandment.
Document 4 Source: John Jewel, Anglican Bishop, On the State of Matrimony from The Second Book of Homilies, a book authorized by Elizabeth I in 1571.
Document 5
It really is something ... that men disapprove even of our doing things that are patently good. Wouldn't it be possible for us just to banish these men from our lives, and escape their carping and jeering once and for all?

Couldn't we live without them? Couldn't we earn our living and manage our affairs without help from them? Come on, lets wake up, and claim back our freedom, and the honour and dignity that they have usurped from us for so long. Do you think that if we really put our minds to it, we would be lacking the courage to defend ourselves, the strength to fend for ourselves, or the talents to earn our own living? Let's take our courage into our hands and do it, and then we can leave it up to them to mend their ways as much as they can: we shan't really care what the outcome is, just as long as we are no longer subjugated to them.
Document 5 Source: Moderata Fonte, Italian writer and poet, The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men, published after her death in 1592.
Document 6
This picture shows a female Quaker preacher and her congregation, 1723. 
Document 6 Source: Bernard Picard, Assembly of Quakers, shows a female Quaker preacher and her congregation, 1723.
Document 7
The Ecstasy of Saint Teresa is a sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome. It was designed and completed by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the Chapel in marble, stucco and paint. It is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture depicts Teresa of Ávila, a Spanish Carmelite nun and saint, swooning in a state of religious ecstasy, while an angel holding a spear stands over her.
Document 7 Source: Gian Lorenzo Bernini, Italian sculptor, The Ecstasy of St Teresa, located in the Church of Santa Maria della Vittoria, Rome, 1652.

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