Santa Ana Winds

Question 1

Essay
The following paragraphs open Joan Didion's essay “Los Angeles Notebook.” Read them carefully. Then write an essay in which you characterize Didion's view of the Santa Ana winds and analyze how Didion conveys this view. Your analysis
might consider such stylistic elements as diction, imagery, syntax, structure, tone, and selection of detail.

There is something uneasy in the Los Angeles air this
afternoon, some unnatural stillness, some tension. What
it means is that tonight a Santa Ana will begin to blow, a
hot wind from the northeast whining down through the
5
5 Cajon and San Gorgonio Passes, blowing up sandstorms
out along Route 66, drying the hills and the nerves to the
flash point. For a few days now we will see smoke back
in the canyons, and hear sirens in the night. I have
neither heard nor read that a Santa Ana is due, but I
10
10 know it, and almost everyone I have seen today knows it
too. We know it because we feel it. The baby frets. The
maid sulks. I rekindle a waning argument with the
telephone company, then cut my losses and lie down,
given over to whatever it is in the air. To live with the
15
15 Santa Ana is to accept, consciously or unconsciously, a
deeply mechanistic view of human behavior.
I recall being told, when I first moved to Los Angeles
and was living on an isolated beach, that the Indians
would throw themselves into the sea when the bad wind
20
20 blew. I could see why. The Pacific turned ominously
glossy during a Santa Ana period, and one woke in the
night troubled not only by the peacocks screaming in the
olive trees but by the eerie absence of surf. The heat was
surreal. The sky had a yellow cast, the kind of light 
25
sometimes called “earthquake weather.” My only
neighbor would not come out of her house for days, and
there were no lights at night, and her husband roamed
the place with a machete. One day he would tell me that
he had heard a trespasser, the next a rattlesnake.
30
30 “On nights like that,” Raymond Chandler once wrote
about the Santa Ana, "every booze party ends in a fight.
Meek little wives feel the edge of the carving knife and
study their husbands' necks. Anything can happen." That
was the kind of wind it was. I did not know then that
35
35 there was any basis for the effect it had on all of us, but
it turns out to be another of those cases in which science
bears out folk wisdom. The Santa Ana, which is named
for one of the canyons it rushes through, is a foehn wind,
like the foehn of Austria and Switzerland and the
40
40 khamsin of Israel. There are a number of persistent
malevolent winds, perhaps the best known of which are
the mistral of France and the Mediterranean sirocco, but
a foehn wind has distinct characteristics: it occurs on the
leeward slope of a mountain range and, although the air 
45
45 begins as a cold mass, it is warmed as it comes down the
mountain and appears finally as a hot dry wind.
Whenever and wherever a foehn blows, doctors hear
about headaches and nausea and allergies, about
“nervousness,” about “depression.” In Los Angeles some
50
50 teachers do not attempt to conduct formal classes during
a Santa Ana, because the children become
unmanageable. In Switzerland the suicide rate goes up
during the foehn, and in the courts of some Swiss
cantons the wind is considered a mitigating circumstance
55
55 for crime. Surgeons are said to watch the wind, because
blood does not clot normally during a foehn. A few
years ago an Israeli physicist discovered that not only
during such winds, but for the ten or twelve hours which
precede them, the air carries an unusually high ratio of
60
60 positive to negative ions. No one seems to know exactly
why that should be; some talk about friction and others
suggest solar disturbances. In any case the positive ions
are there, and what an excess of positive ions does, in
the simplest terms, is make people unhappy. One cannot
65
65 get much more mechanistic than that.

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