Rhetorical Analysis Essay 4: The Glass Castle

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The “We fought a lot in Welch” passage is excerpted from The Glass Castle, a memoir by Jeannette Walls that chronicles her upbringing in a dysfunctional family facing poverty and instability. This excerpt, focusing on the family's experiences in Welch, West Virginia, highlights the pervasive conflict within the town and the resilience of the Walls family. Read the passage carefully. Write an essay that analyzes the rhetorical choices Walls makes to convey her message about the intertwined relationship between conflict and resilience.
excerpt from The Glass Castle by Jeanette Walls
WE FOUGHT A LOT in Welch. Not just to fend off our enemies but to fit in. Maybe it was because there was so little to do in Welch; maybe it was because life there was hard and it made people hard; maybe it was because of all the bloody battles over unionizing the mines; maybe it was because mining was dangerous and cramped and dirty work and it put all the miners in bad moods and they came home and took it out on their wives, who took it out on their kids, who took it out on other kids. Whatever the reason, it seemed that just about everyone in Welch—men, women, boys, girls—liked to fight. 
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There were street brawls, bar stabbings, parking-lot beatings, wife slappings, and toddler whalings. Sometimes it was simply a matter of someone throwing a stray punch, and it would all be over before you knew it had started. Other times it would be more like a twelve-round prizefight, with spectators cheering on the bloody, sweating opponents. Then there were the grudges and feuds that went on for years, a couple of brothers beating up some guy because back in the fifties his father had beaten up their father, a woman shooting her best friend for sleeping 
with her husband and the best friend's brother then stabbing the husband. You'd walk down McDowell Street, and half the people you passed seemed to be nursing an injury sustained in local combat. There were shiners, split lips, swollen cheekbones, bruised arms, scraped knuckles, and bitten earlobes. We had lived in some pretty scrappy places back in the desert, but Mom said Welch was the fightingest town she'd ever seen. 
Brian and Lori and Maureen and I got into more fights than most kids. Dinitia Hewitt and her friends were only the first in a whole line of little gangs who did battle with one or more of us. Other kids wanted to fight us because we had red hair, because Dad was a drunk, because we wore rags and didn't take as many baths as we should have, because we lived in a falling-down house that was partly painted yellow and had a pit filled with garbage, because they'd go by our dark house at night and see that we couldn't even afford electricity 
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But we always fought back, usually as a team. Our most spectacular fight, and our most audacious tactical victory—the Batde of Little Hobart Street—took place against Ernie Goad and his friends when I was ten and Brian was nine. Ernie Goad was a pug-nosed, thick-necked kid who had little eyes set practically on the sides of his head, like a whale. He acted as if it was his sworn mission to drive the Walls family out of town. It started one day when I was playing with some other kids on the tank parked next to the armory. Ernie Goad appeared and began throwing rocks at me and yelling that the Wallses should all leave Welch because we were stinking it up so bad. 
I threw a couple of rocks back and told him to leave me alone. 
"Make me," Ernie said. 
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"I don't make garbage," I shouted. "I burn it." This was usually a foolproof comeback, making up in scorn what it lacked in originality, but on this occasion it backfired. 
"Y'all Wallses don't burn garbage!" Ernie yelled back. "Y'all throw it in a hole next to your house! You live in it!" 
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I tried to think of a comeback to his comeback, but my mind seized up because what Ernie had said was true: We did live in garbage. 
Ernie stuck his face in mine. "Garbage! You live in garbage 'cause you are garbage!" 
I shoved him good and hard, then turned to the other kids, hoping for backup, but they were easing away and looking down, as if they were ashamed to have been caught playing with a girl who had a garbage pit next to her house. 
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That Saturday, Brian and I were reading on the sofa bed when one of the windowpanes shattered and a rock landed on the floor. We ran to the door. Ernie and three of his friends were pedaling their bikes up and down Little Hobart Street, whooping madly. "Garbage! Garbage! Y'all are a bunch of garbage!" 
Brian went out on the porch. One of the kids hurled another rock that hit Brian in the head. He staggered back, then ran down the steps, but Ernie and his friends pedaled away, shrieking. Brian came back up the stairs, blood trickling down his cheek and onto his T-shirt and a pump knot already swelling up above his eyebrow. Ernie's gang returned a few minutes later, throwing stones and shouting that they had actually seen the pigsty where the Walls kids lived and that they were going to tell the whole school it was even worse than everyone said. 
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This time both Brian and I chased after them. Even though they outnumbered us, they were enjoying the game of taunting us too much to make a stand. They rode down to the first switchback and got away. 
"They'll be back," Brian said. 
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"What are we going to do?" I asked. 
Brian sat thinking, then told me he had a plan. He found some rope under the house and led me up to a clearing in the hillside above Little Hobart Street. A few weeks earlier, Brian and I had dragged an old mat¬ tress up there because we were thinking of camping out. Brian explained how we could make a catapult, like the medieval ones we'd read about, by piling rocks on the mattress and rigging it with ropes looped over tree branches. We quickly assembled the contraption and tested it once, jerking back on the ropes at the count of three. It worked—a minor avalanche of rocks rained onto the street below. It was, we were convinced, enough to kill Ernie Goad and his gang, which was what we fully intended to do: kill them and commandeer their bikes, leaving their bodies in the street as a warning to others. 
We piled the rocks back on the mattress, rerigged the catapult, and waited. After a couple of minutes, Ernie and his gang reappeared at the switchback. Each of them rode one-handed and carried an egg-sized rock in his throwing hand. They were proceeding single file, like a Pawnee war party, a few feet apart. We couldn't get them all at once, so we aimed for Ernie, who was at the head of the pack. 
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When he came within range, Brian gave the word, and we jerked back on the ropes. The mattress shot forward, and our arsenal of rocks flew through the air. I heard them thud against Ernie's body and clatter on the road. He screamed and cursed as his bike skidded. The kid behind Ernie ran into him, and they both fell. The other two turned around and sped off. Brian and I started hurling whatever rocks were at hand. Since they were downhill, we had a good line of fire and scored several direct hits, the rocks dinging off their bikes, nicking the paint and denting the fenders. 
Then Brian yelled, "Charge!" and we came barreling down the hill.  Ernie and his friend jumped back on their bikes and furiously pedaled off before we could reach them. As they disappeared around the bend, Brian and I did a victory dance in the rock-strewn street, giving our own war whoops. 
Source 1.1: The Glass Castle by Jeanette Walls

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