AP Success - AP English Language: The Poetry of Science
The following is an excerpt from The Poetry of Science, an 1848 book by British minerologist Robert Hunt.
In contemplating works of nature, we cannot but regard, with feelings of religious admiration, the infinite variety of forms under which matter is presented to our senses. On every hand, the utmost diversity is exhibited; through all things we trace the most perfect order; and overall is diffused the charm of beauty. It is the uneducated or depraved alone, who find deformities in the creations by which we are surrounded. The three conditions of matter are, the solid, the fluid, and the aeriform; and these belong equally to the organic and inorganic world. In organic nature we have an almost infinite variety of animal form, presenting developments widely different from each other; yet in every case suited to the conditions required by the position which the creature occupies in the scale of being. Through the entire series, from the Polype to the higher order of animals, even to man, we find a uniformity in the progress towards perfection, and a continuity in the series, which betrays the great secret, that the mystery of life is the same in all—a pervading spiritual essence associated with matter, and modifying it by the master-mechanism of an Infinite mind. In the vegetable clothing of the surface of the earth, which fits it for the abode of man and animals—from the confervae1 of a stagnant pool, or the lichen of the windbeaten rock, to the lordly oak or towering palm—a singularly beautiful chain of being, and of gradual elevation in the scale of organization, presents itself to the contemplative mind. In the inorganic world, where the great phenomena of life are wanting, we have constantly exhibited the working of powers of a strangely complicated kind. The symmetrical arrangement of crystals—the diversified characters of mineral formations—the systematic aggregation of particles to form masses possessing properties of a peculiar and striking nature—all prove that agencies, which science with all its refinements has not detected, are unceasingly at work…. The naturalist searches the earth, the waters, and the air, for their living things; and the diversity of form, the variety of condition, and the perfection of organization which he discovers as belonging to this our epoch—differing from, indeed bearing but a slight relation to, those which mark the earth’s mutations—exhibit in a most striking view the endless variety of characters which matter can assume. We are so accustomed to all these phenomena of matter, that it is with some difficulty we can bend ourselves to the study of the more simple conditions in which it exists…. To nature alone belongs the mysterious power of transmutation. The enthusiastic alchemist, by the agency of physical power, dissipates a metal in vapour; but it remains a metal, and the same metal still. By the Hermetic art, he breaks up the combinations of masses; but he cannot alter the principles of any one of the elements which formed the mass upon which his skill is tried. Every atom is invested with properties peculiar to all of its class; and each one possesses powers, to which in mute obedience it is compelled, by which these properties are modified, and the character of matter varied. What are those properties? Do we know anything of those powers?
Question 1
The author uses the phrase "religious admiration" (line 2) to indicate that the contemplation of nature is:
a formal religious practice
an activity devoid of emotional impact
governed by strict doctrinal beliefs
limited to those with specific religious affiliations
an experience that evokes a deep sense of reverence and awe
Question 2
In line 6, "the uneducated or depraved" are mentioned to highlight:
the idea that appreciation of nature is a learned trait
a contrast between different types of observers of nature
the division between human perceptions of beauty
the consequences of neglecting nature's beauty
the author's elitist attitude towards education and morality
Question 3
The phrase "through all things we trace the most perfect order" (line 5) suggests that the author perceives nature as:
inherently disorganized but beautiful
an entity that requires further scientific investigation
governed by a discernible and harmonious structure
isolated incidents of beauty without a unifying principle
chaotic and unpredictable
Question 4
The reference to "the three conditions of matter" (line 9) serves to:
provide a metaphor for the social conditions of humanity
introduce a detailed scientific discourse
demonstrate the diversity and complexity of the natural world
illustrate the limitations of human understanding of nature
argue against the prevailing scientific theories of the time
Question 5
When discussing organic and inorganic worlds (lines 12-37), the author aims to:
show the interconnectedness and variety present in all aspects of nature
promote a new scientific theory that redefines organic and inorganic classifications
highlight the superiority of organic life forms over inorganic matter
argue for the moral consideration of all forms of matter
establish a clear and unbridgeable divide between living and non-living entities
Question 6
The term "pervading spiritual essence" (line 20) suggests that the author views life as:
an illusion that distracts from the understanding of the material world
governed by mechanical laws without any inherent meaning
a concept that can be fully explained through scientific inquiry
imbued with an intangible quality that transcends material existence
a purely physical phenomenon devoid of any metaphysical aspects
Question 7
The "master-mechanism of an Infinite mind" (line 22) implies that the author believes:
in a deterministic universe without free will
in a personal deity actively involved in the creation
the universe is a creation of a higher intelligence
human minds are capable of infinite understanding
nature operates independently of any divine or higher intelligence
Question 8
In lines 38-44, the naturalist's search is used to illustrate:
the superiority of human intellect over the simplicity of nature
a historical overview of naturalistic studies and their findings
the overwhelming complexity of the natural world
the futility of trying to understand nature's diversity
humanity's persistent curiosity and desire to categorize the natural world
Question 9
The phrase "endless variety of characters which matter can assume" (line 44) underscores the theme of:
the limitless potential and diversity found in the natural world
the existential crisis faced by humans when confronted with nature's vastness
the predictability and uniformity of natural phenomena
nature's constant and unchanging essence
humanity's ability to fully comprehend and classify all aspects of nature
Question 10
The overall tone of the passage can best be described as:
humorous and light-hearted, taking a playful approach to the subject matter
objective and detached, presenting facts without personal bias
cynical and critical of humanity's relationship with nature
reverent and awe-inspired, with a deep appreciation for nature's complexity
skeptical and questioning of the established views on nature
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