AP Success - AP English Language: The Poetry of Science

The following is an excerpt from The Poetry of Science, an 1848 book by British minerologist Robert Hunt.
In contemplating works of nature, we cannot but regard,
with feelings of religious admiration, the infinite variety of
forms under which matter is presented to our senses. On
every hand, the utmost diversity is exhibited; through all
5
things we trace the most perfect order; and overall is diffused
the charm of beauty. It is the uneducated or depraved alone,
who find deformities in the creations by which we are
surrounded.
The three conditions of matter are, the solid, the fluid,
10
and the aeriform; and these belong equally to the organic and
inorganic world.
In organic nature we have an almost infinite variety of
animal form, presenting developments widely different from
each other; yet in every case suited to the conditions required
15
by the position which the creature occupies in the scale of
being. Through the entire series, from the Polype to the
higher order of animals, even to man, we find a uniformity
in the progress towards perfection, and a continuity in the
series, which betrays the great secret, that the mystery of life
20
is the same in all—a pervading spiritual essence associated
with matter, and modifying it by the master-mechanism of an
Infinite mind.
In the vegetable clothing of the surface of the earth,
which fits it for the abode of man and animals—from the
25
confervae1
 of a stagnant pool, or the lichen of the windbeaten rock, to the lordly oak or towering palm—a singularly
beautiful chain of being, and of gradual elevation in the scale
of organization, presents itself to the contemplative mind.
In the inorganic world, where the great phenomena of
30
life are wanting, we have constantly exhibited the working
of powers of a strangely complicated kind. The symmetrical
arrangement of crystals—the diversified characters of
mineral formations—the systematic aggregation of particles
to form masses possessing properties of a peculiar and
35
striking nature—all prove that agencies, which science
with all its refinements has not detected, are unceasingly at
work….
The naturalist searches the earth, the waters, and the air,
for their living things; and the diversity of form, the variety
40
of condition, and the perfection of organization which he
discovers as belonging to this our epoch—differing from,
indeed bearing but a slight relation to, those which mark
the earth’s mutations—exhibit in a most striking view the
endless variety of characters which matter can assume.
45
We are so accustomed to all these phenomena of matter,
that it is with some difficulty we can bend ourselves to the
study of the more simple conditions in which it exists….
To nature alone belongs the mysterious power of
transmutation. The enthusiastic alchemist, by the agency of
50
physical power, dissipates a metal in vapour; but it remains
a metal, and the same metal still. By the Hermetic art, he
breaks up the combinations of masses; but he cannot alter the
principles of any one of the elements which formed the mass
upon which his skill is tried.
55
Every atom is invested with properties peculiar to all of
its class; and each one possesses powers, to which in mute
obedience it is compelled, by which these properties are
modified, and the character of matter varied. What are those
properties? Do we know anything of those powers?
Source 1

1

The author uses the phrase "religious admiration" (line 2) to indicate that the contemplation of nature is:
  • a formal religious practice

  • an activity devoid of emotional impact

  • governed by strict doctrinal beliefs

  • limited to those with specific religious affiliations

  • an experience that evokes a deep sense of reverence and awe

2

In line 6, "the uneducated or depraved" are mentioned to highlight:
  • the idea that appreciation of nature is a learned trait

  • a contrast between different types of observers of nature

  • the division between human perceptions of beauty

  • the consequences of neglecting nature's beauty

  • the author's elitist attitude towards education and morality

3

The phrase "through all things we trace the most perfect order" (line 5) suggests that the author perceives nature as:
  • inherently disorganized but beautiful

  • an entity that requires further scientific investigation

  • governed by a discernible and harmonious structure

  • isolated incidents of beauty without a unifying principle

  • chaotic and unpredictable

4

The reference to "the three conditions of matter" (line 9) serves to:
  • provide a metaphor for the social conditions of humanity

  • introduce a detailed scientific discourse

  • demonstrate the diversity and complexity of the natural world

  • illustrate the limitations of human understanding of nature

  • argue against the prevailing scientific theories of the time

5

When discussing organic and inorganic worlds (lines 12-37), the author aims to:
  • show the interconnectedness and variety present in all aspects of nature

  • promote a new scientific theory that redefines organic and inorganic classifications

  • highlight the superiority of organic life forms over inorganic matter

  • argue for the moral consideration of all forms of matter

  • establish a clear and unbridgeable divide between living and non-living entities

6

The term "pervading spiritual essence" (line 20) suggests that the author views life as:
  • an illusion that distracts from the understanding of the material world

  • governed by mechanical laws without any inherent meaning

  • a concept that can be fully explained through scientific inquiry

  • imbued with an intangible quality that transcends material existence

  • a purely physical phenomenon devoid of any metaphysical aspects

7

The "master-mechanism of an Infinite mind" (line 22) implies that the author believes:
  • in a deterministic universe without free will

  • in a personal deity actively involved in the creation

  • the universe is a creation of a higher intelligence

  • human minds are capable of infinite understanding

  • nature operates independently of any divine or higher intelligence

8

In lines 38-44, the naturalist's search is used to illustrate:
  • the superiority of human intellect over the simplicity of nature

  • a historical overview of naturalistic studies and their findings

  • the overwhelming complexity of the natural world

  • the futility of trying to understand nature's diversity

  • humanity's persistent curiosity and desire to categorize the natural world

9

The phrase "endless variety of characters which matter can assume" (line 44) underscores the theme of:
  • the limitless potential and diversity found in the natural world

  • the existential crisis faced by humans when confronted with nature's vastness

  • the predictability and uniformity of natural phenomena

  • nature's constant and unchanging essence

  • humanity's ability to fully comprehend and classify all aspects of nature

10

The overall tone of the passage can best be described as:
  • humorous and light-hearted, taking a playful approach to the subject matter

  • objective and detached, presenting facts without personal bias

  • cynical and critical of humanity's relationship with nature

  • reverent and awe-inspired, with a deep appreciation for nature's complexity

  • skeptical and questioning of the established views on nature

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