2024 Set 2 Rhetorical Analysis

Simu Liu is an actor who has starred in television shows and movies, including Shang-Chi and the Legend of the Ten Rings. His 2022 memoir, We Were Dreamers: An Immigrant Superhero Origin Story, describes his experiences as a Chinese immigrant in Canada. Liu’s parents emigrated to Canada from China when Liu was a baby, leaving him with his grandparents. In the following excerpt from Liu’s memoir, the family is getting the four-year-old Liu ready to reunite with his father and travel to Canada himself. Read the passage carefully. Write an essay that analyzes the rhetorical choices Liu makes to convey his message about the experience of preparing to emigrate from China.

Group 1

In your response you should do the following:

  • Respond to the prompt with a thesis that analyzes the writer’s rhetorical choices.
  • Select and use evidence to support your line of reasoning.
  • Explain how the evidence supports your line of reasoning.
  • Demonstrate an understanding of the rhetorical situation.
  • Use appropriate grammar and punctuation in communicating your argument.

In the summer of 1993 I noticed that my English flash card lessons were starting to pick up, along with talk that my departure date to Canada was drawing even nearer.

I didn’t like that one bit.

My whole family—my yéye (grandfather), nǎinai (grandmother), gūgu (aunt), gūfù (uncle), even my cousin JingJing—spoke of this “Canada” as if it were some sort of idyllic paradise, a place of abundant snacks and endless affection.

“You can eat whatever you want,” Nǎinai would say, as if I didn’t already have pretty regular access to all of my favorites on Héxínglù (Hexing Street).

“You will finally reunite with your parents,” my gūgu added reassuringly, as if I didn’t already have five amazing people around me who loved me.

Looking back, it felt kind of cult-y, like gospel from the Church of Canadology that I was supposed to just accept. I played along, even though I was still rough on the exact terms of this proposition. Sure, I welcomed the thought of meeting more members of my family . . . but I had no idea that said new family members would come at the cost of everyone that I knew and loved.

So, about with as much agency as any four-year-old possessed, I kept on, ever the obedient child, dutifully memorizing my English flash cards. 苹果 (píngguǒ)—Apple. 猫 (māo)—Cat. 香蕉 (xiāngjiāo)—Banana. 爸爸妈妈 (bàbamāma)—Parents, whom I would meet in the winter.

An air of excitement permeated our household in the days leading up to my father’s arrival in late December. Word had come to us that Baba (Father) would fly over to pick me up and escort me back to Canada, while Māma would meet us at the airport once we landed in Toronto. If my grandparents were dreading letting me go (they were), they went to great lengths not to show it. We made a big WELCOME BACK sign in giant letters and hung it on our door. I wore my nicest clothes on the day, an outfit of absolute fire consisting of a collared rugby shirt with blue and purple stripes, a pair of brown overalls with yellow polka dots and a vest that looked like a burlap sack. That’s right, I was pattern clashing way before it was cool.

Yéye and gūfù came over and we prepared a feast that filled our little round table: white mushrooms with sliced pork, large tail-on shrimp, bean curd, soy-sauce ribs and Russian-styled red sausage—my father’s favorite, apparently.

The food is starting to get cold when we hear a little knock on our door. I perk up anxiously as my yéye answers, opening the door to reveal a scrawny, square-faced man with bowl-cut hair wearing a big cozy sweater along with the bleary gaze of exhaustion that comes after an eighteen-hour train ride from Beijing. This man who resembles an Asian Eric Forman from That ’70s Show is my bàba, the man who I had waited my entire four-and-a-half-year life to reunite with.

This is the man who is going to bring me to the promised land of Canada.

“Màomao!” (Chinese nickname for a small child) It’s me!”

I freeze.

I had imagined this moment in my head many times, as I’m sure my father had. I wanted to run to him, embracing him enthusiastically and without any reservations, as any child would run to their own father—but I just . . . can’t. Everything about this man is foreign to me, from his voice to his smell. I had only seen his face in photographs, only heard recordings of his disembodied voice. He feels almost like a celebrity, someone I recognize from somewhere, but who is himself unknown and unknowable.

I scurry to my nǎinai’s side nervously. I’m sure my father was a little disappointed, but he respected my space, taking only a small step toward me.

“Do you know who I am?”

I ponder this for a moment.

“You . . . you are Zhenning Liu.” (the father's full name)

Everyone around me bursts out laughing. The ice is broken, and I laugh along, even though I don’t get the joke. “Zhenning Liu” is exactly who this man is to me; not “Dad,” not “Father,” not “Bàba” . . . but a stranger, an acquaintance at best.

Slowly, over the next few days, it dawns on me that this stranger is going to take me away from my family, my home and everything that I have ever known.

© 2024 College Board.

Question 1a

Essay

Write an essay that analyzes the rhetorical choices Liu makes to convey his message about the experience of preparing to emigrate from China.

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